Labels: MC5
For the past few months, I’ve been reading a lot about The Dollfaces in the local press – ‘…managed by John Montgomery and Willy Wilson…throwback to the heyday of late 60’s Detroit City rock and roll…live covers of unexpected tracks such as “Blitzkrieg Bop” and “I Wanna Be Your Dog”...’ Between that and all of the hipster buzz surrounding the band’s live performances, I have to be honest - saying that I was interested in hearing The Dollfaces’ material would have been an understatement. Unfortunately, though, I think the word I’d use to describe the self-titled EP would be ‘underwhelming’ (with just cause and justification given at review’s end).
Here it is kids. This weekend, at the Majestic Theatre Complex parking lot. It's free and all ages.
Labels: Brendan Benson
The Waxwings have a new record coming out on the Rainbow Quartz label. Let’s Make Our Descent was recorded by Brendan Benson at Grand Studios in Detroit and is set to be released on July 13. A U.S. tour will follow. You can check out a sample here.
Labels: Brendan Benson
Creem tips us off that there are some new Stooges songs in the works, including one called "A Horse With No Brain." Boy Howdy heard it straight from Mike Watt, who's currently jamming on bass with the Stooges. Photo: Robert Matheu


Before actually attending the DKT/MC5 show on June 10, 2004 I really planned on having a million different courses of discussion to pick from when it came time to do this very write-up. Leading up to the event, I had a billion arguments going both for and against the show, and I figured that the performance itself would pick which way my words took them.
However, it wasn’t just the audience having fun. Davis was grinning ear to ear watching Mick Collins bust out his harmonica solos, and quite the sly little smirk crept across Kramer’s visage when he motioned to the crowd to, “Kick out the jams, motherfuckers” to kick off what was arguably (and not surprisingly) the best received performance of the night. Arm’s eyes were beaming as he stood on stage leading a surprisingly terrifying version of “I Want You” with his cavernous yells; the smiles he flashed at Kramer during the vicious guitar leads were priceless. The band as a whole got way into the racket of a whacked-out “Starship,” and everyone got involved with a Kramer-led audience participation vocal round during “Rocket Reducer No. 62” (cheesy, yes, but on this night, also an effective tactic used to further bond with an already rabid crowd).Labels: MC5
Labels: Demolition Doll Rods, Ramrods
Labels: Nathaniel Mayer