So, in all honesty, last week’s ‘Week in Rock’ was somewhat of an extended musical playground for me. I mean, I got to check out a wicked slick show featuring rock throwbacks The Woggles on Saturday night (details posted elsewhere on MCR), and three days later, I found myself in Cleveland at 10:30 a.m., walking through the doors of the Rock-and-Roll Hall of Fame for the first time, which was basically the culmination of one big lifelong wet dream to this here music nerd. Man, the Jimi Hendrix exhibit was SO bad-ass …
I honestly thought I’d regret the decision, but due to the fact that this was probably the best sounding venue I’ve ever seen the band play (and also the fact that I managed to remain somewhat sober for most of the night), I’m really glad I took the mini-road trip (even if it was a mid-week jaunt to a late night bar show). Opening act The Violence Sequence was tight as hell, sounding like some distant, slightly more melodic cousin of both Helmet and The Melvins. Most of the band’s set was loud and growling, though the last song saw the three-piece slowing things down to a dirty throb that served as the strongest track of the set.
Labels: White Stripes
Labels: White Stripes
FROM DETROIT ROCK WIRE SERVICE: Items taken from and/or consumed in Sugar Ray's dressing room on July 25 @ DTE Energy Theatre w/ Gore Gore Girls: 3 bottles wine, 1 pkg. blueberries, 5 'tastes' of Patrone, 4 Grey Goose and cranberry cocktails, 2 slices cheese, 1 bag of Hershey's Miniatures, ?? Michelob Lights (can), 1 box Hostess Ding Dongs.

… Alright, enough with the formal writing crap. Ryan and I could’ve come back from that night with a zillion jokes about the band names in question (“The”apalooza, anyone?), but instead, I write this representing both of us, and I come scribing tales of a rock-and-roll ass-kicking of the most serious nature. First off, I’d like to eat some crow and say that despite my recent grumblings about the The Dollfaces’ self-titled EP, the band put on an impressive set to open the night. Most of the set was made up of material that post-dates the EP, and the songs were noticeably stronger than the band’s early material. This time around, the guitars were sharp (as opposed to the band’s D-Pollen set, when I thought the guitar work came off a bit slack and lackadaisical) and the rhythm section thumped, making for a very energetic and entertaining set. Maybe there really is something to these boys after all …
By this point, Ryan and I had already had a nice little night, having already seen fun sets from two local acts while draining a few cold beverages. Also, we had a chance to play meet-and-greet with the latest addition to the MCR staff, the ever-rad Kpo (who was surprisingly tolerant of the combined dorkiness of myself and Publisher Ryan). Still, though, there was no way either of us could have possibly imagined how much better the night was about to get.Labels: The Woggles
Oh, the joys of spending too much time in bars on school nights ... After a pit stop for a few drinks at The Detroiter, I found myself roaming into the Shelter Tuesday night to hear some fine Detroit rock. A Thousand Times Yes was the reason for the season, so to speak, as this particular night was the band's last live gig until September's Hamtramck Labor Day Festival. Thankfully, those cats didn't disappoint -- the band broke out a solid, winding set consisting entirely of material that will be featured on its forthcoming full-length album (currently an in-studio work in progress). This was redeeming, to say the least, as the drunken garden-variety rock stylings of headlining Los Angeles trio High Speed Scene didn't exactly have the sparse crowd going batshit.
The night's most pleasant surprise came along with local opening act The Silent Years, who fleshed out a tight set of well-structured pop. Singer/guitarist Josh Epstein peppered the set with slashing guitar fills, while Jonathan Edwards played contrasting, more conventional parts; the effect made the band's songs feel lush and energized. Set opener "Slept Through the Whole Thing" came off like a contemporary rock hit just waiting to happen, though the highlight of the entire night was the band's hyper-intense performance of the shoegazing "Important Things" (Blogger's Note: both tracks are available in demo form on the band's website).

Mr. Gary spent some downtime roaming the internet this week and came up with the following tidbits and random observations:
Ahhhhh ... That'll do it for the moment. Remember, kids - Keep the MCR crew abreast of what's going on in the scene! Information about upcoming shows should be relayed to shows@motorcityrocks.com, while I'll happily accept information about CD releases, general band information and other random crap at gary@motorcityrocks.com.
This Saturday in Dee-troit. Our apologies for our general slacking and lack of coverage of this spectacular event and thanks a ton to Melody for passing along the schedule (though exact times aren't yet available). Speaking of...
Labels: Nice Device
Labels: White Stripes
Pontiac is having it's own techno festival this Saturday and Sunday at the Phoenix Center Plaza. This 1st time event is called the Pontiac Techno House Festival and is being put on by Detroiter Eddie Fowlkes. To see a full scheudle check the offical website.