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HAMTRAMCK BLOWOUT 2005
Motor City Rocks looks back at the Blowout Friday Night Outside of
Powertrane, most of MCR’s Thursday night’s festivities were fairly
tame. Friday was a little different, however. Matt spent
his early Friday night slot checking out up-and-comers Paradise
(featuring members of Chapstik and Inside Five Minutes) at the New
Dodge, while Ryan and I started the night out with the ear-buzz
inducing volume blast that was Porchsleeper’s Belmont set. The
band is quite obviously straying from its initial ‘alt-country’
comparisons, as the ‘Sleeper put together a strong set of twin guitar
rock based on mostly new material. I dug the sound of Baker’s Streetcar so much on Thursday that he headed back on Friday to check out Colic’s set. Outside of some initial confusion as to whether or not it was actually Colic that was setting up when I got there (when did the band pare itself down to being a three-piece?), the set
was entertaining – lots of heads were bobbing to catchy rock tracks like “Falling Asleep at the
Wheel,” and the sound quality at Baker’s was once again top
notch. Ryan made an attempt to check out Molly Jean’s set, but
wound up disappointed that what should’ve been a solid performance was
marred by some major sound mix issues.While Matt checked out a hoppin’ set from The Avatars, I met up with Ryan again and took in a set from The Holy Fire, who sounded surprisingly spry at the Knights of Columbus hall. While it seemed like the guitars were buried a bit too much underneath the vocal tracks, the intensity of the band’s performance wasn’t at all affected – especially during the set’s last two songs, which saw the guitarists flailing about as if they were trying to angrily choke sounds out of their strings. Ryan stuck around at the hall to check
out Bang Bang’s set (“LOUD” was the frequent description given for that
one) and reported the highlight to be the return of original singer
Dave Graw for the anthemic “1977.” Meanwhile, I floated over to
Paycheck’s to catch a searing set from The Muggs, who once again proved
that rock-and-roll in its purest form is most definitely not dead at
all. Danny Methric put on yet another disgusting display of
guitar solo fireworks, lacing into originals like “White Boy Blues” and
a cover of The Beatles’ “Yer Blues” with furious fretwork. The
band’s thick reading of “I Don’t Need No Doctor” (obviously patterned
after the version on Humble Pie’s Rockin’ the Fillmore) was the set
highlight, as Tony DeNardo laid down some solid bass-key work behind
Methric’s guitar noodling. The crowd at Paycheck’s was so
receptive to the Muggs that the band kept playing twice after its set
had supposedly ‘ended’.
On a different end of the
musical spectrum, Matt found himself amongst a big crowd at Smalls for
the Saturday Looks Good to Me show. From Matt:Fresh off of their European tour, Saturday Looks Good to Me had the headlining spot at Smalls on Friday night. The six-piece band tore through Fred Thomas’ ‘heart on the sleeve’ Phil Spector-ish anthems that played heavily off the band’s latest release Every Night, though the band didn’t ignore old favorites such as “Meet Me by the River”, “Diary”, and “Alcohol.” Thomas’ upbeat sounding songs had the packed house dancing, singing and clapping along with every note. Sassy singer Betty Barnes mesmerized many folks in the crowd with her ‘hand on the hip while singing’ dance move. SLGTM were set to close the show with the latest single “I Don’t Want to Go,” but a shaky rendition led the band to throw in “Parking Lot Blues” for good measure. Coverage provided by Matt Caruana
and Gary Blackwell
Paradise photos courtesy of Matt Caruana Avatars and Saturday Looks Good to Me photos courtesy of Uncle Grambo |
![]() Saturday Looks Good to Me at Smalls (Photo Credit: Uncle Grambo) ![]() Paradise at the New Dodge ![]() The Avatars at Smalls (Photo Credit: Uncle Grambo) |